Analyse von Untertiteln aus kultureller Sicht am Beispiel des Films “Monga”

[[abstract]]電影為一特殊傳播媒介，其融合許多如敘事學、影像學、美學等因素，並藉由字幕翻譯來傳遞其文化交流。電影《艋舺》於2015年上映，為少數本土電影作品，曾代表臺灣赴柏林參展。劇情主要描速舊時艋舺地區在城市發展、省籍情結、新觀念與舊傳統碰撞、衝突與融合的一個變遷過程。藉由劇中人性格的描述與時代背景的刻畫，讓觀眾得以一睹舊時艋舺地區大時代的縮影。 本論文擬探討電影《艋舺》之中德文字幕兩種語言經由翻譯轉化過程後之文化現象，以及影視字幕作品偏向異化或是歸化之翻譯導向。相較於國內許多學術論文，均以外國原文及其中譯本為研究題材，其中大多以原文文本為主，中譯本為輔；而本論文擬以電影中文字幕為主，德文譯文為輔；以中文文化為主要出發點，德文文化為次要切入點來探討兩種語言文化翻譯之現象，試探兩種語言文化在翻譯過程中，是否依然能夠達到文化交集，產生等效；或是產生衝突，導致接受者無法理解。本論文首先以文化導向的概念鋪陳，再分別以尤金．奈達（Eugene A Nida）之功能對等及美國著名翻譯學者勞倫斯•韋努蒂之歸化（adaptation / domestication）和異化（alienation /foreignization）導向翻譯策略，作為理論基礎來探討翻譯文化轉換之問題，並整體探討影視作品合適之翻譯策略與方向。[[abstract]]Movie as a special media not only integrates many elements such as narratology iconography and aesthetics but also constructs a bridge among different cultures through translated subtitles The movie Monga shown on the screen in 2015 is one ofthe Taiwanese movies that ever attended Internationale Filmfestspiele Berlin Its plot mainly depicts the intermediate period of old Monga District that once experienced urban development ethnic ideology collision between modern concepts and traditional values and racial conflict and integration Through the vivid portraits of characters and background the movie enables its audiences to actually see the epitome of the Age of Monga District This thesis by analyzing the Chinese and German subtitles of the movie Monga seeks to explore the transcultural phenomena of these two languages in the wake of translation and further to discuss adaptation or alienation-oriented characteristics existing intranslated subtitles of movies Different from most academic studies that usually focus on original texts and its Chinese translation as research source which mainly focus on original texts and take Chinese versions as subsidiaries instead this study instead chooses the Chinese text of Monga as priority and its German version as a secondary source Under this structure it aims to understand whether these two languages can reach certain equivalence with each culture or on the contrary create conflicts during translation With Andre Lefevere’s idea of cultural orientation as basis and Eugene A Nida’s functional equivalence and Lawrence Venuti’s translation strategy of adaptation and alienation as support this thesis discusses the problems resulting from interpreting two different languages by studying the Chinese and German subtitles of Monga and further intends to search for a proper translation strategy for film